Barbican to be upgraded, Centre for Music will not go ahead
The City of London Corporation (CoLC) has announced its financial commitments to developing Culture...
All Features
Queering the Conservatoire: 'Valid, necessary, and instructive'
Underneath the academic jargon, writes Michael White, there was much of value in Guildhall School of...
Between two worlds: discovering the music of Robert Kahn (1865-1951)
Ensemble Émigré’s debut CD ‘Leaves from the Tree of Life’, soon to be released on Rubicon Classics,...
Five freelance musicians on making a living during the pandemic
Toby Deller speaks to members of the freelance musician community about how each is coping, and...
‘A new model, a new mood’: Shanghai Symphony’s blueprint for the post-Covid orchestra
Lucy Thraves speaks to the president of Shanghai Symphony Orchestra about embracing new ways of...
Local heroes: musicians in the community
Stephen Pritchard speaks to members of enSEmble26 about the value of turning to the local community...
Holocaust Memorial Day: Remembering musicians composing in the darkest of times
In the article from January 2020, Jack Pepper remembers the composers who made music despite the...
Musicians call on government to negotiate a new agreement for European touring
A letter published in the Times has been signed by the likes of Nicola Benedetti and Sir Simon...
Simon Webb: ‘We do need to ask ourselves how we can better reflect the communities that our members serve’
We caught up with Simon Webb, director of the BBC Philharmonic and new chair of the Association of...
ABO director: 'We can rebuild, and forge a bright future'
Mark Pemberton, director of the ABO, looks back on what the last year has meant for orchestras, and...