Is cross-continental exchange eroding or enriching musical individuality?
As the UK’s Sitkovetsky Trio prepares to join forces with New York’s Chamber Music Society of...
Opinion
Exploring 'Brummie sound' with the CBSO
The CBSO chief executive reflects on the process of collaborating with Birmingham’s Grime artists...
Defining the 'contemporary conservatoire'
Following the publication of her latest book examining the current state of conservatoire education,...
The Long View | Blocking Radio 3 abroad is a catastrophe for UK music
Nation shan’t speak peace unto nation, Andrew Mellor warns, when the BBC prohibits international...
Classical at a cost
Grace Meadows, head of Music Minds Matter and bassoonist, explores the pressures facing musicians –...
The Long View | A music degree should never be a soft option
With proposals to cut Cardiff University’s music department suggesting a sparse future for music in...
The Long View | Enough with the robot performances
If there’s one domain in which robotics prove woefully inadequate, it’s the performance of live...
Breaking down the Budget
What does Labour's autumn Budget mean for classical music? Mark Pemberton explores how the changes...
BBC Young Musician: Classical competition or musical Masterchef?
Andrew Green examines the new format of this year's BBC Young Musician competition, from the...
The Long View | Supply and demand – not elitism – creates high ticket prices
It’s a false equivalence to compare events like the Oasis reunion with concerts and operas produced...
