Laura Peribañez Artero on honouring Pablo Casals' legacy of cultural collaboration
Cellist Laura Peribañez Artero reflects on the life of Catalan cellist and composer Pablo Casals and...
Features
‘I must have been born sacrilegious because I love this!’: Marin Alsop on reimagining Handel’s Messiah
- Friday, September 29, 2023
The conductor and creator of Too Hot to Handel: The Gospel Messiah! talks to Florence Lockheart...
Judith Webster: ‘I see the ABO as a development agency for orchestras’
- Monday, September 25, 2023
As the Association of British Orchestras’ new chief executive Judith Webster settles into her role,...
The Sixteen’s Harry Christophers on programming for the festive season
- Monday, September 18, 2023
Starting each year with a blank sheet of paper, Harry Christophers, founder and conductor of The...
‘All opera's women are fighters’: Rosetta Cucchi on Wexford Festival Opera’s 2023 programme
- Thursday, August 31, 2023
With this year’s festival centred around the theme of ‘Women and War’, Simon Mundy sits down with...
noisenights: A hit with all kinds
- Monday, August 21, 2023
Bars and clubs might not be classical music’s natural habitat, but crowdfunded event organisers...
The ‘Roberto effect’: Roberto González-Monjas on adapting to new ensembles
- Friday, August 18, 2023
With performances characterised not only by his profound understanding of the music, but also by the...
‘Let’s do something, people!’ The Gstaad Menuhin Festival embraces change
- Wednesday, August 16, 2023
Colin Clarke talks to artistic director Christoph Müller and festival regular Patricia...
Locks and Liszt: How The Piano Boat brings concerts to the canals
- Monday, August 7, 2023
Rhiana Henderson and Masayuki Tayama, the team behind The Piano Boat, talk about how they turned...
The funding conundrum: A self employed musicians' guide to fundraising
- Monday, July 31, 2023
As well as perform – and probably teach – musicians must develop varied non-musical skills such as...
