How musicians can maximise performance rights? Find out from the PRS expert
How can musicians maximise their performance rights? We spoke to Harriet Wybor, classical...
Features
Digital audio workstations: which is best for you?
- Wednesday, November 25, 2020
With Black Friday around the corner, there are bound to be some great deals on digital audio...
Réseau Européen de Musique Ancienne: conference report
- Tuesday, November 24, 2020
Simon Mundy reports on the online conference of the Réseau Européen de Musique Ancienne (REMA),...
RPS 202 Young Artist Sheku Kanneh-Mason: 'I haven't let diabetes affect my career'
- Friday, November 20, 2020
Last year we spoke to Sheku Kanneh-Mason, a recent winner at the RPS awards, about his career so...
Streaming: how much do musicians really make?
- Sunday, November 15, 2020
Streaming has increased hugely since lockdown began, but at what cost to artists and record...
Why classical music streaming is good for the industry
- Saturday, November 7, 2020
BPI figures show that growth in streaming provides a real opportunity for artists and record labels
Musicians in lockdown: pianist Charles Owen considers the positives
- Thursday, November 5, 2020
It's not all bad: Charles Owen shares some of the more beneficial experiences of global lockdown
Immersive recording technology that makes music sound ‘live’
- Thursday, November 5, 2020
An innovative audio platform brings the multi-dimensional experience of a live performance into the...
How the London Philharmonic Orchestra is developing new talent
- Tuesday, November 3, 2020
A look at the LPO's Foyle Future First scheme that nurtures talented orchestral players
Harnessing the healing power of music
- Monday, November 2, 2020
How can music ease the experiences of those with dementia, or those traumatised by war? Simon Mundy...
