Ferrucio Busoni: The lone ranger of music
In the centenary year of the Italian composer’s death, Jon Tolansky examines – in discussion with...
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Olympic music director Victor le Masne on the art of connection
As the Paris Olympics get underway Victor le Masne, music director for the Games' ceremonies,...
Aigul Akhmetshina: A thought-provoking phenomenon
Since she exploded into the opera world seven years ago, Aigul Akhmetshina has performed in the...
Exploring the classical cosmos with Professor Brian Cox
The physicist will team up with Britten Sinfonia and conductor Daniel Harding later this month to...
Evolve: What’s next?
Classical Music catches up with outgoing participants on this year’s Young Arts Fundraisers’ Evolve...
Elim Chan on paring down, saying no and preparing for the First Night of the Proms
As she prepares to return to the BBC Proms for her First Night debut, conductor Elim Chan sits down...
Settling the score: The case for underrepresented composers in classical music
Black Lives in Music director Roger Wilson explores how inaccuracy among published scores by...
Sfumato Records: A label without boundaries
Christian Schittenhelm, who founded Sfumato records with his son Aylwin, applies Leonardo da Vinci’s...
The inspiration, ingenuity and investment behind JAM on the Marsh
As JAM on the Marsh prepares to return to Kent’s Romney Marsh for its 2024 edition, Florence...
Combining Handel, Milton and access for all at Vache Baroque
The Vache Baroque co-founders discuss the ways the festival is working to creatively engage new...