RPS 202 Young Artist Sheku Kanneh-Mason: 'I haven't let diabetes affect my career'
Last year we spoke to Sheku Kanneh-Mason, a recent winner at the RPS awards, about his career so...
All Features
Streaming: how much do musicians really make?
Streaming has increased hugely since lockdown began, but at what cost to artists and record...
Why classical music streaming is good for the industry
BPI figures show that growth in streaming provides a real opportunity for artists and record labels
Musicians in lockdown: pianist Charles Owen considers the positives
It's not all bad: Charles Owen shares some of the more beneficial experiences of global lockdown
Immersive recording technology that makes music sound ‘live’
An innovative audio platform brings the multi-dimensional experience of a live performance into the...
How the London Philharmonic Orchestra is developing new talent
A look at the LPO's Foyle Future First scheme that nurtures talented orchestral players
Harnessing the healing power of music
How can music ease the experiences of those with dementia, or those traumatised by war? Simon Mundy...
What will Orchestras in a post-coronavirus age look like?
Some say Covid-19 has simply accelerated changes that were already coming our way. Andrew Mellor...
Composers and the appeal of notation software
Composers explain the advantages of using Dorico over other notation software systems
Nevill Holt Opera responds to critics of £85K coronavirus Recovery Fund grant
Nevill Holt Opera has refuted charges of political bias and cronyism after receiving an award of...