From concert halls to car parks: The Multi-Story Orchestra
Kate Whitley and Moustapha Doumbia reflect on a decade of performances and progress in advance of...
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Bushra El-Turk on cross-culture collaboration
The composer talks about what we can expect from this year's edition of contemporary music...
Odaline de la Martínez on three decades of Lorelt
Sponsored content: Not content with making history as the first woman to conduct a Prom, Odaline de...
United Strings of Europe: Orchestral adventurers
United Strings of Europe has been a globally-minded enterprise since its inception at the Royal...
London International Festival of Early Music keeps collaboration at its core
Adrian Horsewood talks to festival director Chris Butler about what audiences can expect from this...
VOCES8 on digital performance beyond the pandemic
Dale Wills explores how the indefinable vocal ensemble have carved their own niche in an online...
Combining choreography and composition with Magnus Westwell
The Scottish artist is in the unique position of being both choreographer and composer. I caught up...
The Bach Choir: following in Vaughan Williams' footsteps
On the 150th anniversary of Ralph Vaughan Williams' birth, musical director David Hill MBE guides us...
A weekend at Hatfield House Chamber Music Festival
Hatfield House's Marble Hall played host to a wide range of musicians, instruments and premieres...
James Heather: 'classical music shouldn't only be establishment music'
Florence Lockheart learns more about the pianist's less traditional route into music