‘We take the artists’ side’: Robert von Bahr on 50 years of BIS Records
With the Swedish label celebrating its 50th anniversary this year, founder Robert von Bahr sits down...
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'We are all broken': For Hèctor Parra, justice is complex
The Catalan composer talks to Coriander Stuttard about how his new opera Justice, which tells the...
British Arts Festivals Association meets in Manchester
Simon Mundy recaps his experience at this years BAFA conference, reporting that, while the resources...
Taking your tots on tour
Having a baby shouldn’t mean your touring career grinds to a halt. Charlotte Gardner talks to the...
‘I’m a very curious person’: Q&A with Tania Léon, LPO composer in residence
Ever since she arrived in the US in 1967, Tania Léon has been a vital part of New York’s classical...
John Humphrys: ‘You don’t need to be an expert to admire a great symphony’
The former BBC broadcaster turned Classic FM presenter and passionate classical music advocate,...
‘Financially efficient, educationally beneficial and embraced by audiences’: Angela Dixon on 10 years of Saffron Hall
The Saffron Hall CEO reflects on the venue’s unique model of regional arts provision as the venue...
‘We stopped London in its tracks – it was an amazing feeling' LCpl Paul Lamstaes on music in the Army
Lance Corporal Lamstaes talks to Florence Lockheart about his experience performing in the...
Nelson McDougall on why Canada invests in the NAC Orchestra
The managing director of Canada’s National Arts Centre Orchestra sits down with Florence Lockheart...
Stability through diversity: Is Orchestre Ostinato’s artistic direction collective the future of orchestra management?
The orchestra's new five-person artistic director team reflect on the advantages and challenges of...