'It’s a very delicate act': Sound engineering for cinema opera
The Royal Opera House has announced that it is relaunching its international cinema relays. We spoke...
All Features
'A healthy ecosystem for opera': Opera UK's next steps
Opera UK aims to represent Britain's opera companies, directors, designers, conductors, singers,...
My unexpected year of covid, kids and Kenya
Pianist Cordelia Williams tells us how the pandemic has proved to be an unusually productive and...
Classical Music's guide to UK festivals
Our handy guide to the confirmed festivals taking place - whether live or online - over the next few...
'Establishing a new classical music festival is a leap of faith': Riga Jurmala Festival CEO Zane Čulkstēna
The CEO of Latvia's Riga Jurmala Festival on philanthropy, Latvia's culture industry, and the...
'The language of the originals is so beautiful': Xiaogang Ye's Song of the Earth
Chinese composer Xiaogang Ye has set the poems used in Mahler's Das Lied von der Erde to new music....
Naxos founder Klaus Heymann on the label's history - and what comes next
'Actually, the rudeness did us a big favour. None of the record shops would put us in their ordinary...
Up Close and Musical: A journey back to performance
It hasn't been easy getting a festival off the ground in the pandemic. But after a few false starts,...
Music and social prescribing
The Scottish Chamber Orchestra (SCO) is at the forefront of arts organisations in Scotland offering...
'People suddenly find themselves to be part of this musical story': ABRSM composers on writing a more diverse syllabus
Music exam board ABRSM is broadening and enriching the music on its curriculum. We hear from Althea...